Showing posts with label native american. Show all posts
Showing posts with label native american. Show all posts

Early Book Review: Project 562: Changing the Way We See Native America by Matika Wilbur

Project 562: Changing the Way We See Native America by Matika Wilbur is currently scheduled for release on April 25 2023. In 2012, Matika Wilbur sold everything in her Seattle apartment and set out on a Kickstarter-funded pursuit to visit, engage, and photograph people from what were then the 562 federally recognized Native American Tribal Nations. Over the next decade, she traveled six hundred thousand miles across fifty states—from Seminole country (now known as the Everglades) to Inuit territory (now known as the Bering Sea)—to meet, interview, and photograph hundreds of Indigenous people. The body of work Wilbur created serves to counteract the one-dimensional and archaic stereotypes of Native people in mainstream media and offers justice to the richness, diversity, and lived experiences of Indian Country. The culmination of this decade-long art and storytelling endeavor, Project 562 is a peerless, sweeping, and moving love letter to Indigenous Americans, containing hundreds of stunning portraits and compelling personal narratives of contemporary Native people—all photographed in clothing, poses, and locations of their choosing. Their narratives touch on personal and cultural identity as well as issues of media representation, sovereignty, faith, family, the protection of sacred sites, subsistence living, traditional knowledge-keeping, land stewardship, language preservation, advocacy, education, the arts, and more.

Project 562: Changing the Way We See Native America is a stunning and important book. The photography is absolutely wonderful, and I could page through this book for hours to appreciate each image. More important, the text and purpose of this book is incredibly significant and I found the book to be highly engaging, informational, and meaningful on multiple levels. I think letting each of the interviewed individuals choose how that wanted to be photographed, and how their words were shared untouched went a long way in sharing their real and authentic voices, experiences, and perspectives with readers. Reading this book was as close to meeting such a variety of individuals and communities from across the country as I am likely to ever have a chance to personally. I feel like I learned a great deal, and will continue to learn more as I explore more ownvoices works by indigenous individuals. I thought I had a much better grasp and understanding on how colonialism and bigotry had shaped this country and all of its people, but I feel like I have a much better understanding of how little I actually knew after reading this book. This book has inspired be to continue my learning and understanding, and I hope it will have the effect on a wide variety of readers. 

Book Review: The Woman in the Woods and Other North American Stories by Kate Ashwin, Kel McDonald, Alina Pete

The Woman in the Woods and Other North American Stories by Kate Ashwin, Kel McDonald, and Alina Pete is a graphic novel and the fifth volume of the “Cautionary Fables and Fairytales” anthology series. I have not seen the previous volumes, but I will be on the lookout for them.  Loup Garrou, trickster rabbits, and spirits with names that can’t be spoken — the plains and forests of North America are alive with characters like these, all waiting to meet you in this collection of folklore from tribes spanning the continent retold in comics.

The Woman in the Woods and Other North American Stories is a lovely collection of stories. I thought the artwork was a great pairing with the stories and did a wonderful job of telling the stories. I had heard or read a few legends that touched on the same ideas, but I had never seen these exact tales before, which always makes me happy. I thought that there was much respect and honor tied into the stories, which is not always the case in folklore or legend collections. I thought the variety of tales, and the skill they were told with were fantastic. My only complaint is that I wanted more, which I can partially solve by finding the other volumes of this series. 

Early Book Review: When We Were Alone by David Alexander Robertson, Julie Flett

When We Were Alone is a picturebook written by David Alexander Robertson and illustrated by Julie Flett. It is currently scheduled for release on December 31 2016. When a young girl helps tend to her grandmother’s garden, she begins to notice things about her grandmother that make her curious. Why does her grandmother have long braided hair and wear beautifully colored clothing? Why does she speak another language and spend so much time with her family? As she asks her grandmother about these things, she is told about life in a residential school a long time ago, where everything was taken away. 


When We Were Alone is a wonderful look at how much the younger generation can learn about their heritage and the lives of their family by asking questions. I think it is important for us all to understand what our elders and ancestors went through, and how other cultures have faced. this picturebook offers a little of each. Whether your family tree includes Cree (or any other Native American Heritage) or not, it is important to know what they faced, and how any group has been treated in the past or present. Not only does this book offer a lesson on heritage and history, it can also help with empathy and understanding. Perhaps a better understanding of our shared history can help us understand how others feel and prevent similar treatment of groups still or now considered 'other'. I would highly recommend adding this to any library collection. It can start many important conversations that are currently very relevant to the current state of the world and necessary.

Book Spotlight with Excerpt and Giveaway for Manroot by Anne Stienberg

Manroot is the evocative and stirring story of a lonely town in Missouri, and a young woman named Katherine who discovers a mystical side to herself that she’d never known existed. Anne Steinberg weaves together fantasy, romance, and a young girl’s coming of age into a darkly magical story.  

Would you like to win a Kindle copy of the book? Read a bit about the book and an except to find out. If you do, there is a Rafflecopter giveaway at the bottom of the post.

Synopsis:
In the spring of 1939, Katherine Sheahan and her father, Jesse, are looking for work in the isolated tourist town of Castlewood. Jesse gets a job as handyman and Katherine as a maid at a small hotel. Jesse drinks and neglects his work and eventually disappears, abandoning his daughter. Frieda Broom, the hotel Manager, takes Katherine under her wing, and teaches her about ginseng, the manroot, and other secrets of the foothills. Katherine discovers that she is a natural healer and has the ability to communicate with spirits, a gift she inherited from her Navajo Indian mother.

Among the hotels regular clientele is Judge William Reardon. Escaping his sterile marriage, he becomes captivated by Katherine. As the pair bond over astrology and gardening, Katherine becomes convinced they belong together, despite him being much older than her and married. As they begin to fall in love, the violence of dark magic threatens to annihilate all Katherine knows and holds dear. Can their love survive?

Manroot is a potent tale of destiny, spiritualism and love, written in Anne Steinberg’s signature compelling style. The kindle version was published March 2014 and is available for sale on Amazon. 


Excerpt:

Working alone in the kitchen, Katherine scrubbed it clean. Looking up at the calendar, she knew tomorrow was Friday. The Judge was one of the few people who stopped here regularly, even now, in late autumn. Perhaps it was telling Sally that had started it all, for now her thoughts of the Judge were like a fever that stayed with her. Last Friday when she took him his bourbon and spring water, she noticed it for the first time, the birthmark. It was on his right hand, so clear and vivid that she had almost dropped the tray. He had smiled at her nervousness, called her ‘my dear,’ and given her a silver dollar for a tip.

Katherine slept restlessly; she dreamed of the Oh mu and heard its moan of agony echoing in her sleep. She dreamed of Papa floating in the muddy river, caught and held under by a treacherous branch, his eyes vacant pools staring upward through the water. It was so real that in the morning when the siren from the firehouse once again split the air, she rushed into the kitchen where Frieda was telling Bruce, “You be careful…another one’s gone and gave herself to the river. It was a suicide, a painted woman from the Eagle’s nest…” Frieda shivered as she told the story the way that she had heard it from the postman. The woman in the night had cut her wrists, but the dying was too slow, so she ran from the clubhouse, perched only for a moment on the railing, then jumped headlong into the cold water.
Katherine moved slowly this morning. Frieda fussed at her, but knowing the girl had never been lazy, she thought the drowning must have upset her or maybe she was coming down with something.
The guests were all gone. They only expected one tonight – Judge Reardon. They’d have time to go into the woods today, hunting for herbs and the manroot. But Frieda went alone as the girl looked a bit too peaked.
Alone, Katherine cleaned the rooms again; it took no time, for they were already clean. She lingered in Number 8, The Judge’s room.
She knew a lot about him now, and she felt a very real presence that he left in the room. She knew intimate things about him – like the size of his shirts, the smell of his aftershave, which side of the bed he slept on, how he preferred his coffee, the brand of cigarettes that he smoked…numerous details about him that she had collected bit by bit, saving them in her mind and in her dreams, like pennies to be spent at a later date.
He knew nothing of her dusting his dresser, straightening the bed after he had risen. He was not aware that while he was out, she pressed his shirts to her lips, inhaling his aroma, and sat on the bed in the same crevices his body had made over the years that he had slept here. Now she knew with the wisdom and instinct of centuries, she knew that what would be, would be.
Last week for the first time she had seen it, the birthmark, on his right hand. It was paler than the surrounding skin, crescent-shaped like a slice of the moon, and within its outline, unmistakable, a perfect five-pointed star. She knew its shape by heart, as just above her right breast she had its identical replica.
The Navajo blood flowed strongly in her veins, with all its beliefs in the signs, even though her father had tried vainly to smother these strange alien traits. Since her childhood she had believed that she could speak to animals, and she could find herbs hiding under any rock and knew exactly what they would cure.
She stayed dreaming in the Judge’s room until she heard Frieda calling her. The woman had returned from the woods, carrying a full burlap sack.
“You should have come today…I found it…the time is ripe, and you’re much quicker than I. You would have climbed the higher spots where it grows.”
Placing the sack on the table, she pulled out one root. “It’s perfect…it’s prime, probably ten or fifteen years old.” She held the root up to the light. Its torso similar but lighter in color than a carrot, with no hint of orange, just tannish-brown, the root seemed to have two arms, two legs, and a fine network of tendrils. It appeared to be a miniature figure of a headless man.
“What is it?” Katherine questioned as she stared at the unusual root.
“It’s a manroot!”
“The manroot,” Katherine repeated, liking the sound of the word and feeling it described the plant perfectly. “It seems as if it could contain magic?” she said, as she gingerly touched it with a timid finger.
“Oh, they say it does. It works wonders. The Orientals prize its properties – to them it is also the love root. It does many things, cures most anything that ails you. For me it lines my pockets – Bailey’s general store pays about four dollars a pound.” Emptying the sack on the counter, Frieda explained, “You can’t let it get damp – it ruins the root.” She began taking them out, examining and inspecting and drying each root with a clean dish-towel.
“They’re not all like this one, that’s special. Some don’t come with the likeness of arms and legs, some just look like a pale carrot…but the old ones, the very special ones do. Here, Katherine – take it, it’s yours.”
They sat at the table and by habit Katherine helped her.
“If you weren’t such a lazy girl, you could have come with me today. When these are dry, I’m sure Bailey’s will be paying twenty dollars or so for the batch.”
“Twenty dollars?”
“Yes, ma’am!” She knew the girl wasn’t lazy; it was her way of trying to shake her out of the listlessness. “Put on the kettle, Katherine. I’ll slip a little of the root in it. That will perk you up.”
They drank the tea, and Frieda continued drying the root. She did a rare thing: she hummed as she dried the fine tendrils.
“It takes time for the manroot to grow. You shouldn’t harvest a root less than seven years old, and you must always plant the seed when you harvest – each red berry has two seeds – not deep, just under the leaves. It’s a sin…to harvest and not plant the seed,” she said solemnly.
Katherine watched the clock. “I better put on my uniform. The Judge…”
“No need to. When I was coming in, he was headed for the Eagle’s Nest. He told me he wouldn’t be wanting any supper.”
Katherine’s face fell with disappointment.
In previous gossip from Frieda, Katherine had learned that the Judge lived twenty miles up the road with a wife who was said to be fragile since the births of her two stillborn sons. There was not much in these parts that the Judge did not own; he was rich, well-liked, respected, and known to be a fair man. Remarkably young to be a judge, no one faulted him for his tendencies to card-playing, drinking whiskey, and relieving himself with the local women. A lesser man with these leanings would be called no account, but he was, after all, the Judge, and this title brought with it a tendency to look at vices as virtues.
It was just another Friday. Destiny waited for her; she felt it close, closer than it had ever been.
The hotel was quiet. There were no guests and the only person staying was the Judge, who would be out late.
Katherine played the radio softly, dancing about the room, pretending she was at Castlewood waltzing under the lanterns with him. She put the perfect manroot in the Valentine box with her other things. After midnight when he rang, Katherine shook the sleep from herself when she realized the bell from Room 8 was ringing.
She owned no robe, and the persistent ringing threatened to wake Mr. Taylor. She flew up to the Judge’s room and knocked timidly, aware that her hair was down, and she was in her nightgown. It was plain enough – white cotton, sturdy and sensible.
He opened the door to her. He seemed surprised.
“I’m sorry, sir, everyone is asleep,” she said, not really knowing how to apologize for her attire.
He blinked at her, his hair ruffled, his shirt-tail out; she had never seen him like this.
“You’re new?”
“No, sir I’m Katherine. It was late; I didn’t have time to put on the uniform.”
He nodded and leaned forward studying her face. “Come in.” She did so, but left the door open.
“Sit down,” he said. She could tell he was very drunk. She sat timidly in the vanity chair. He paced the floor unsteadily, running his fingers through his hair. “It’s my head… I have a headache that won’t stop. I thought maybe you had something in the kitchen.”
He kept pacing. “I went out tonight, trying to forget. I’ve drunk a lot…it doesn’t stop…my head hurts so.”
“Sir, I could go look, or…” She wondered if she should chance it – maybe he would laugh. “My grandmother had a remedy that always worked.”
He stopped pacing. “Yes? What is it?”
“Well,” she said, “if you rub your thumbs vigorously for a few minutes, it has something to do with the blood flow…if that didn’t work, then a leaf of boiled cabbage on the forehead never failed.”
He smiled and stopped. “Well, try it.” He pulled up a chair in front of her and held out his thumbs.
She blushed. She hadn’t meant that she should rub his thumbs, but he was there across from her, waiting.
She reached forward, and with a firm grip clasped his thumbs and rubbed vigorously, while he leaned back and shut his eyes. She alternated between each thumb. It seemed natural to her to be touching him.
“Do you know what it’s like to play God?” he asked abruptly.
Startled, she didn’t know if he was really talking to her, but she replied, “No, sir, I don’t.”
“Well, I do, and it’s not pleasant, not pleasant at all… Today I’ve sent a man to the gas chamber – well, not me personally, but the jury.”
“I’m sorry, sir,” she said quietly.
“Stop saying ‘sir’ – my name’s William. The Judge…sir…that’s somebody else. I don’t feel like a judge right now. I never wanted to be a judge.” He opened his eyes and she drew back.
“Do you know what it feels like to judge other people?”
“No, si–” She stopped herself. “No, I don’t.”
He looked down at her hands. “Don’t stop. By god, I think it helps!” He closed his eyes once more and held out his thumbs to her. The house was quiet. Somewhere a nightbird called; the ticking of the clock in the hall kept time in its steady rhythm, and Katherine felt the sound of their breathing in tune.

About the Author:
While living in England, Anne Steinberg’s first novel, Manroot was published by Headline Review in London. Manroot was heralded as an important first novel in 1994 and included in the Headline Review’s prestigious “Fiction without Frontiers,” a new wave of contemporary fiction that knows no limits. Eight modern storytellers were featured: Anne Steinberg, Margaret Atwood, Iain Banks, William Gibson, Peter Hoeg, Roddy Doyle, and E. Annie Proulx. It was an auspicious beginning to a long and varied career for Anne Steinberg, who went on to write several acclaimed novels, Every Town Needs A Russian Tea Room, the story of a wealthy socialite who falls in love with a penniless young Russian immigrant who is haunted by a bizarre shameful secret, The Cuckoos Gift, First Hands, and An Eye For An Ear. She is also coauthor of The Fence, written with her grandson Nicholas Reuel Tolkien, the great grandson of J.R.R. Tolkien. Nicholas is a filmmaker, director, and published poet. The Fence is a chilling story of a magnificent Gothic fence forged by a despicable blacksmith and infused with evil.

Anne was a partner in the world famous vintage clothing store, Steinberg & Tolkien, on Kings Road in Chelsea. After a successful run for over 20 years, the shop closed, and she returned to the US. Approaching her eighty-second birthday, she now writes, reads, and studies antiques, American Indian history, animal welfare, mythology, and folklore legends.

Anne recently re-released Manroot in kindle format. It was published March 2014 and is available for sale on Amazon. Connect with Anne on Twitter: https://twitter.com/ANSteinberg
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Blog Tour for The Unholy by Paul DeBlassie III, Including an Author Interview

ABOUT THE UNHOLY
A young curandera, a medicine woman, intent on uncovering the secrets of her past is forced into a life-and-death battle against an evil Archbishop. Set in the mystic land of Aztlan, The Unholy is a novel of destiny as healer and slayer. Native lore of dreams and visions, shape changing, and natural magic work to spin a neo-gothic web in which sadness and mystery lure the unsuspecting into a twilight realm of discovery and decision. PAUL DeBLASSIE III, PhD, is a psychologist and writer living in his native New Mexico. A member of the Depth Psychology Alliance, the Transpersonal Psychology Association, and the International Association for Relational Psychoanalysis and Psychotherapy, he has for over thirty years treated survivors of the dark side of religion.

PURCHASE

ABOUT THE AUTHOR
Paul DeBlassie III, Ph.D., is a psychologist and writer living in Albuquerque, New Mexico who has treated survivors of the dark side of religion for more than 30 years. He is a member of the Depth Psychology Alliance, the Transpersonal Psychology Association and the International Association for Relational Psychoanalysis and Psychotherapy. Dr. DeBlassie writes psychological thrillers with an emphasis on the dark side of the human psyche. In The Unholy, a young curandera, a medicine woman, intent on uncovering the secrets of her past is forced into a life-and-death battle against an evil archbishop. Set in the mystic land of Aztlan, The Unholy is a novel of destiny as healer and slayer. Native lore of dreams and visions lure the unsuspecting into a twilight realm of discovery and decision.


  1. Tell us about the background of the book:
The story comes out of over thirty years of treating patients in psychotherapy who are survivors of the dark side of religion…have been used and abused and cast to the side. I’ve seen that when this happens people, those around the victim, to include family and friends, often turn a blind eye and deny what has happened. Rather than writing a self help book I decided to approach this realm of human suffering in fiction. To tell a story moves the reader into a deep and unconscious dimension that bypasses conscious defenses, leaving us open to truths that otherwise would be blocked. So, dramatizing the dark side of religion, pulling what can be the most vile and evil, and pivoting it against an innocent and sincerely searching soul leaves the reader on edge, hopeful, but unsure as to what will happen and who in the end will survive…a truth conveyed symbolically and dramatically. To have written out a list of what to do or not to do in the midst of religious abuse might have helped some individuals, but would have left many people stone cold because there is no emotion is such guidance. In The Unholy, the story is pure emotion, fear and rage and hope and challenge, that inspires and frightens and causes us to stay up late at night in order to finish the story. Dream and chronic nightmares plagues people who’ve gone through the horror of being abused within a religious system. It could be emotional, spiritual, physical, or sexual torment---or all of the above---a true encounter with the unholy---that people undergo during childhood or adolescence or adulthood. They become anxious, depressed, or suffer a terrible emotional breakdown. I’ve treated them, helped them, and they helped to inspire the story of The Unholy!
  1. How do you balance life and writing?
It’s a matter of listening to the energy coming from self, family, and friends so that nothing tips more one way than the other and the creative juices stay flowing rather than being depleted by excessive writing and are therefore constantly in a state of being replenished. I had a music teacher who once told me to practice or play up to the point that I feel bored, that the energy for it has been spent, and then to stop for the day. That’s what I do with writing. I stay with it, hit the page running each day, and go for as long and with as much intensity as I have for the scene that I’m writing. Then, I stop. And, if I don’t stop I’ll have nightmare that night that I’m being seduced and used by the muse and that such a thing could lead to utter ruination. There are horror stories about this. Writers in the stories feel the tug to write, the muse senses that someone is taking the bait and then the writer is hooked and reeled in. So, if I let myself be hooked and reeled in then I lose my balance. There is something to being hooked and reeled of course, but the true and balanced thing of it happens when it comes from a hook and a reeling that is my own and not one that causes me to be possessed by something other than my own common sense. After all, what matters is the living of life, and living a good one to the best of one’s ability, writing only a part of that.
  1. Where do ideas come from?
Ideas come from the deep repository of the collective unconscious mind that inspires images and symbols during the fantasies of waking life and during dreams and nightmares. Mainly, it’s the nightmare stuff that bodes best for writing psychological thrillers and dark fantasy such as is in The Unholy. When I wake up in a cold sweat with the characters of the novels threatening me (I remember when Archbishop William Anarch, sinister prelate in The Unholy tormented me for nights on end, demanding that I not write the story) that’s when I know that real inspiration is flowing and that to listen to it and follow the images and symbols that emerge from my deep, unconscious mind during sleep and during the reverie of writing the story will end up in the development of spine tingling realities that jettison both me as the writer and the reader into phantasmagoric realms that have a way of shaking up conscious mindsets and get our heads blown out in a very, very unsettling but ultimately useful way. My writing, in other words, comes from an inner place of torment that needs to be let out so it can be set right. When mind stuff is set right inside me I can feel it by sensing a quality of being at peace, that I’ve written to the best of my ability and been true to the deep, archetypal energies swirling through my mind during the narrative. It really is a trip to listen to ideas, let them become images, and suddenly have them take over a page. It’s like the pages catch fire and everyone has come to life and things become disorderly, fraught with conflict, and danger looms.